Harry Hood
by Phish
Transcribed by Emil Hedaya ( skjut@usa.net )
Listen to a recording for timing information; it just doesn't pay to write it out.
Intro: Dm > Am (x4), F > Em (x4), C > A7+9!!
Dm Am F Em C A7+9
E----5------5------8------7-------0------------------------------------
B----6------5------10-----8-------1-----13----------------------------
G----7------5------10-----9-------0-----12----------------------------
D----7------7------10-----9-------2-----11----------------------------
A----5------7------8------7-------3-----12----------------------------
E-----------5---------------------------------------------------------
This repeats a couple of times; sometimes the band trades small solos.
Then:
Dm Em Am
Harry! Harry! Where do you go when the lights go out? x3
Dm Em Am D
Harry! Harry! Where do you .... go?
Once the band hits "go?", Trey starts here (over a D chord) :
Most of these get hit on the upstroke
D A G
H-O
E-10--12--10---------9--10--9---7--8--7--7--10----------------------
B-10--10--10--------10--10-10---8--8--8--8---8----------------------
G-11--11--11---------9---9--9---7--7--7--7---7----------------------
D-12--12--12--9-11--11--11-11---9--9--9--9---9----------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------
Repeat once
Then:
G Em F#m G Em F#m A
E--7------7------9-------7------7------9------9---------------------
B--8------8------10------8------8------10-----10--------------------
G--7------9------11------7------9------11-----9---------------------
D--9------9------11------9------7------11-----11--------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------
Repeat both those again, the next time sliding down to:
A
E-0--
B-0--
G-6--
D-7--
A-0--
E-0--
Trey pulls a little fill like this in here:
Slide Slide Slide
E-----------------------------0-------------------------------------
B-----------------------------0-------------------------------------
G--9->-11-11-11-11->-9--->----6-------------------------------------
D-----------------------------7-------------------------------------
A--7->--9--9--9--9->-7--->----0-------------------------------------
E-----------------------------0-------------------------------------
Thanks to Steve Munno for this part:
Slide
E------------------------------------------------0------------------
B------------------------------------------------0------------------
G---9-->--11-->--9-->----13---13--->-11-->--9----6------------------
D------------------------------------------------7------------------
A---7-->--9--->--7-->--11---11--->---9--->--7----0------------------
E------------------------------------------------0------------------
Then:
G > F#m > Em > F#m (Repeat)
This part is played a little different.. play the root then strum the chord.
Kind of bouncy. (listen to a recording)
G > F#m > Em > F#m > G > F#m > G > G# >
This part is "collectively" in 25/8.
A > D is in 5/4 and
E > D > E > D is in 15/8
The timing is as follows:
b = eighth note
* = dotted eighth note (held 1.5 times as long as an eighth note)
A D E D E D
b b * * b b * * b b b * * * b b b * * *
Fish plays quarter notes through the first four repeats so the riff starts at a
different point in the drum beats each time. When you really see how simple
the rhythm pattern is, you will have a better feel on what you're doing.
He slides out of this with :
D > C#m > Bm > A (open stringed)
These are the formations Trey uses (similar to those in Divided Sky)
A D E C#m Bm A(open stringed)
E-------------------------------------0------------------------------
B--5-----10---12-----9--------7-------0------------------------------
G--6-----11---13-----11-------9-------6------------------------------
D--7-----12---14-----11-------9-------7------------------------------
A-------------------------------------0------------------------------
E-------------------------------------0------------------------------
Repeat that part before again.. this time moving to :
D > G > C > Am (hit on Distortion at Am)
Repeat what's in the repeat signs .. listen to a recording to get the # down
Bm ....... |: :|
Slide up P-O P-O H-O H-O H-O H-O
E-------------------------------------------------------------------
B-------------------------------------------------------------------
G-----------10--10-9 10-9-------------------------------------------
D---------9---------------12--9-10-12--9-10-12---9-10-----9---------
A-----9-8-----------------------------------------------------------
E---7---------------------------------------------------------------
[no chord]
Thank you Mr. Minor...
A > Bm (Loud!)
Then it moves up to C#m (just up two frets) .. I'm not going to write it
all out again though. Easy enough to just move up.
B > C#m
Then up again two frets to D#m.
E A E A E A
Thank You Mr. Minor ... Thank You Mr. Minor ... Thank Your Mr. Minor...
A
Thank You Mr. Hood...
And then of course, comes the jam (who can forget it?) .. It's basically over
this progression:
D > A > G (two bars)
After Trey hits the high D note bent up to an E (I'm telling you, that 24th fret
is killer -- I recommend YOUR next guitar purchase includes two full octaves on
the fingerboard), he does this lick over the progression with lots of distortion
to signify the end of the jam:
D A G
|: :| |: :| |: :|
E-----17--------17-----------17-------------------------------------
B---15--------14-----------12---------------------------------------
G-14--------14-----------12-----------------------------------------
D-------------------------------------------------------------------
A-------------------------------------------------------------------
E-------------------------------------------------------------------
and of course:
D A G
You can feel good, good, good about Hood .. (x3)
D
Harry Hood!
Side note: I think sometimes Mike will scream out over Trey "I feel good!" .. not sure
though. It works out nicely, with the "ood"'s matching up. Whatever.
Enjoy! Please send comments / corrections to skjut@usa.net